"Samantha Taylor's sculptural work references travel lines and the ethnographic contexts of commuting—what Joe Moran (2005, p. 49) calls “a product of capitalist societies that divided time between alienating work and commodified leisure”—as well as the playful, meditative space of beach combing. Some of Samantha’s objects are found along the threshold between culture and nature, the shoreline; they are mindfully collected, examined and reconfigured in a communicative gesture and dialogue with time." — David Prescott Steed
